King Arthur: Legend Of The Sword Cinema 2017 Online

Acclaimed filmmaker Guy Ritchie brings his dynamic style to the epic fantasy action adventure 'King Arthur: Legend of the Sword.' Starring Charlie Hunnam in the title role, the film is an iconoclastic take on the classic Excalibur myth, tracing Arthur's journey from the streets to the throne.

When the child Arthur's father is murdered, Vortigern (Jude Law), Arthur's uncle, seizes the crown. Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, his life is turned upside down and he is forced to acknowledge his true legacy.whether he likes it or not. Parents need to know that King Arthur: Legend of the Sword is director Guy Ritchie's loud, stylized, violent take on the origin story of England's legendary king and the mythology surrounding his magical sword, Excalibur. Starring Charlie Hunnam and Jude Law, the movie includes most of Ritchie's signature touches - quick cuts, rapid-fire dialog, humor in otherwise violent sequences, and creative strong language. Things frequently get pretty intense: There are several assassinations (some at close range, such as a throat-slashing) and battle sequences that destroy villages, castles, and people.

There's a high body count; some of the deaths are bloodier and more disturbing than others. Language is occasionally salty, with one use of 'f-king,' and adults drink at pubs/meals. Arthur is brought up in a brothel; while nothing more graphic than kissing/lying on a bed with clothes on is shown, it's very clear what goes on there.

King Arthur: Legend Of The Sword Cinema 2017 Online Game

Underlying the action are messages about teamwork and believing in yourself, and while the characters are flawed, the heroes are courageous and loyal. Show Less Show More A Lot or A Little?

You can’t really fault the logic of letting Guy Ritchie bring some mayhem to the traditionally chivalrous world of King Arthur. Back in 2009, when Benedict Cumberbatch’s modern- day consulting detective was yet to usher viewers into his Mind Palace, Ritchie’s first Sherlock Holmes film proved a gleefully incendiary revelation, delivering unexpected thrills (and a $524 million box office hit) by splicing the deductive spirit of Arthur Conan Doyle’s stories with the Snatch director’s trademark visual brio and unwavering devotion to shirtless fight scenes. So, in theory, you wouldn’t bet against Ritchie’s similarly controversial take on Arthurian legend (an urban reimagining-cum-origin story designed to birth a six-film connected cinematic universe) to pull off a similar trick. It doesn’t take too long for those hopes to wither or, rather — given the film’s overblown opening battle scene — be trampled by a 300-foot CGI elephant.

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Although it flickers to life at times, King Arthur: Legend Of The Sword devolves into a jumbled affair, weighed down by confusing supernatural elements and a lazy reliance on visual effects. This middle portion of the film, where it barrels along like a cross between Robin Hood and Ocean’s Eleven, is undoubtedly its highpoint. But it also underscores one of its biggest failings. Even in an unexpected setting, Ritchie’s tropes — East London slang, fist-fights, Tarantino-ish narrative trickery — still feel hopelessly dated.

Sword Of Truth

And then there’s David Beckham. Following a brief cameo in Ritchie’s previous film, The Man From U.N.C.L.E., Becks effectively puts himself forward as the Ritchieverse’s answer to Stan Lee, with a beefier appearance as a villainous soldier. It’s a misguided, fist-biter of a performance — almost impressive when you consider it features a man who’s actually from Leytonstone playing an unconvincing Cockney — and the fact that this piece of stunt casting overshadows a hugely significant character moment for Arthur bespeaks the film’s pervading ill-judged, shouty feel. Jude Law toils admirably as demonic proto-dictator Vortigern, but Hunnam’s decision to play Arthur as a smirking lunk makes him hard to root for. Ritchie is clearly still adept at marshalling an inventive action set-piece, but all hopes that this is heading anywhere interesting are ultimately dashed.